Submitted by Roland Lindsay (Strat Custom)


Summary (out of 10)
Features 10
Sound 10
Action, Fit, & Finish 10
Reliability/Durability 10
Customer Support 10
Overall Rating 10


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Price Paid: UK Sterling £2,010

Features: 10
Year made : 1999 in London, England by Christopher McIntyre, who in conjuction with Martin Petersen, builds the world renowned Sei Basses and now branching out into custom built guitars (both electric and acoustic) for discerning one-off customers. The guitar has 21 frets as this was the neck length I had spent many years getting used to and felt most comfortable with. The guitar is of Strat shape with a though neck of two pieces of flamed maple sandwicj#hing a central stringer of ash (used for strength). The guitar features a specified combination of two EMG -SA single coils and an EMG-89 in the bridge position. Additionally, there is a piezo equipped ABM through body strung fixed bridge to offer some acoustic type sounds to blend with the electric pickups (although this was never intended to replicate an acoustic guitar due to the lack of suitable resonance resulting from the lack of a suitable soundboard). The neck has a wonderful birds eye maple fingerboard bound with flamed maple and has red LED side dot position markers actived by a mini toggle switch. The body has ash wings and has a full front facing of flamed/quilted/burr poplar (this instrument was reviewed in the European magazine Guitarist and was given a first class review in which the reviewer who wasn't afan of fancy woods guitars gave it an incredible thumbs up. The tuners are Sperzel graduated capstan locking tuiners negating the need for friction inducing and unsightly string trees. The scale length is standard Fender scale and the frets were 2.2mm extra hard fretwire. There was a fully fitted McIntyre Guitars hard shell case included. The strap buttons are Schaller Straploks. All hardware is gold plated.

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Sound: 10
The sound is quite incredible. There is such a variety of wonderful tonbes available that I haven't used any of my Les Pauls of vintage Starts on any recent sessions I've been involved in. The ability to mix in the acouistic sound gives it an extra edge which has had the recording engineers singing its praises and asking who made the instrument. Additionally, the fact the it is the easiest to play instrument I have ever encountered makes it a privelege to own. I play through a Fender Hot Rod Deville, a Marshall stack and also a Line 6 POD for recording. The EMG's have a noise free sound making it perfect for studio or live use. The sound is full with crystal clarity but doesnt sound in the least bit starile. I cannot praise this guitar highly enough. Chris makes guitars you thought you'd only ever be able to dream of!!

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Action, Fit, & Finish: 10
The guitar is the best set up instrument I have EVER encountered (and believe me I've played hundreds if not thousands!). The woodworking is simply stunning - no one can offer anything but praise for the workmanship and the sound.

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Reliability/Durability: 10
This guitar has already been used on over a hundred gigs and has never ceased to provide more than I could have expected. I know this sounds really sycophantic, but it really is without parallel.

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Customer Support: 10
Chris is avialble whenever I need advice or assistance. The guitar is so well made from the start that I have not experienced any faults (although Chris has phoned me numerous times to verify that everything is still okay with the instrument and to obtain my feedback regarding its performance).

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Overall Rating: 10
I have been playing for twenty two years of my current thirty three and also own two Les Pauls, a Rickenbacker 12, Epiphone Casino, Gibson ES-335, Dobro, Takamine acoustic, ES-295, Fender Stratocaster, various slide guitars and a number of amplifiers. If this instrument was stolen or lost I'd track it to the ends of the earth!!! I love absolutely everything about it, I cannot rate it highly enough - ten out of ten is not enough!!

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Submitted by Ronald Lindsay at 08/27/1999 16:26